Mucking About Session

After my mucking about session today, a few key changes/decisions have been made to my performance so that it is better suited to the space and my intentions with the piece.

The first, and most notable change, is that I have decided to remove projections from the piece for several reasons. For one, I felt that the pictures I had would not help convey the story or add any depth to my description of the locations. Secondly, I felt it would look odd to have a huge screen being projected on when I was trying to create an enclosed living room atmosphere (I did think about using a television instead of a projector, but as stated above, I did not feel it would necessarily add anything to my story). Finally, as my piece is so heavily centred around the storytelling and the breadth of the text, I wanted the audience to be more focused on what I was saying – whereas a projector may have acted as a distraction. I want the audience to vividly imagine the places that I am describing rather than simply showing them, so that they become a more active participant in the show.

Instead of having the audience look at pictures on the projector, I will be looking through a photo album at the start of show. Early on, I may show this to the audience but it is primarily to assist with the description of my dad’s bookcase. I felt this suited my piece better and helped to create a home-like atmosphere. Furthermore, by looking through the photo albums, it helps to frame my piece as it is the photo albums which stir my memories.

An image of the battery powered fan I will be using in the performance.
An image of the battery powered fan I will be using in the performance.

I decided to remove the coffee table and biscuits from the piece as I felt that it would create a divide between the audience and me. My primary goal with the piece is to have an intimate relationship with the audience as I am telling the story, and for them to be able to imagine themselves in the scenarios I am describing. As such, I felt the coffee table would create a barrier between the audience and myself – removing the connection that I intended to have with the audience.

I have settled on having a max audience of five with one sofa and two matching chairs. These will be facing diagonally towards one of the studio walls, creating the effect of an enclosed space whilst allowing room for a ‘staging area‘ and an array of lighting. I have considered adding a lamp in the staging area to add natural light to the scene, though I am yet to find one.

An image of the snorkelling mask I will be using in the performance.
An image of the snorkelling mask I will be using in the performance.

I have also added a few small props to the piece in hope of creating light-hearted moments for the audience. As I say about leaning out of the car window and having the window blow through my hair, I am going to pull out a small portable fan to create the effect of wind. Moreover, as a child I used to have a small battery fan that I would bring on holiday thereby creating a subtle link to my memories of Menorca in general. Additionally, when I fall into the swamp I am going to wear a snorkelling mask and mime swimming about to accentuate how long I felt I was in the water. Again, this is reminiscent of my holidays in Menorca, adding another layer of depth to the exploration of my memories.

Currently these are all the changes I have made to the piece, as I continue to rehearse I may make additional changes and will update my blog accordingly.

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Giggs, J. (2015) Menorcan Sea. Unpublished Photograph.

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